Correction vs grading, color theory for editors, and building a cinematic look.
Color correction fixes what's broken; color grading makes it beautiful — and understanding which is which changes how you approach every project.
Understanding how colors relate to each other is the foundation beneath every grading decision you will ever make.
A cinematic look is the sum of every decision you make from the moment you press record to the final export — here is how to get each one right.
Scopes are the only objective measurement you have in a color suite — learn to read them and you will never be fooled by your monitor again.
Skin tones are the one element every viewer judges unconsciously, making them the most critical reference point in any grade.
The most recognized color grade in modern cinema has a simple secret: complementary contrast between warm skin and cool shadows.
LUTs are powerful tools when used correctly, but understanding what they can and cannot do will save your grades from looking flat or overcooked.
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