Alternating between two subjects in a conversation.
Shot-reverse-shot cuts back and forth between two people — typically over-the-shoulder or singles — during dialogue. It relies on the 180-degree rule and eyeline matches to keep the exchange clear. It is the standard grammar of filmed conversation.
Editing a narrative scene is less about choosing the best shots and more about conducting the emotional performance that lives inside your coverage.
Master the invisible line that keeps your cuts clean and your audience locked into every scene.
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