The song is the script. We cut music videos to the track’s own logic — the breath before the hook, the cut that lands on the snare, the build that lets the chorus hit. Performance-driven or narrative, polished or raw, the edit exists to make the song feel inevitable.
Adobe After Effects. We build motion in Adobe After Effects — kinetic typography, audio-reactive visuals, titles and effects that an NLE alone can’t deliver, then composite it cleanly into the edit.
We map the track — sections, accents, where the eye should move.
Selects cut to the beat, structure first.
Look development, ramps, finishing.
Main, clean, and a vertical teaser for release day.
No — Adobe After Effects is our tool, not a requirement for you. You receive finished, exported files in whatever format you need; editable project files on request.
Yes — send the final mixed master so cuts land exactly on the audio. If it’s still mixing, we work to a reference and reconform.
Often, if coverage allows. We’ll tell you honestly after reviewing the footage.
Ramps, transitions and light VFX yes; heavy CGI we’ll scope or partner on.
A vertical teaser is included — the clip that drives pre-saves and the premiere.
kinetic typography synced to the track, designed for the song and built for YouTube
audio-reactive loops and visualizers for releases, by Studio432
multicam sync, color grade, mixed-audio masters and social cutdowns for live shows
Tell us what you shot and what you need. We reply by email — usually within a day — with a quote and a clear next step. No call required to start.