An aftermovie has one job: make the people who weren’t there ache that they missed it — and make next year sell out. We build festival recaps with momentum, cutting crowd, stage, drone and backstage into a 60–180 second piece that moves on the music and lands on the feeling.
Get a quote → All festival aftermovie editing →Manila has a passionate live-music and OPM scene and one of the most active creator bases in Asia. Concert footage, music videos and vlogs are typical work for Manila clients. We work with Manila clients remotely — you send the footage, we deliver release-ready edits on your timeline, wherever you are.
We pull the peaks from every day and stage.
Cut to the track — energy curve front to back.
A bold, consistent festival look.
The hero film plus teasers for the rollout.
Yes — we work with Manila artists and creators entirely remotely. Upload the footage (Drive, Dropbox, WeTransfer or Frame.io) and we deliver release-ready edits on your schedule, anywhere in Philippines.
We schedule to your date and review across time zones, so a Manila deadline holds the same as a local one. Rush is available when a date is fixed.
The hero piece usually lands 90–150s; we also cut 15–30s teasers that do most of the social work.
Yes — aerials are core to festival energy; we grade them to match ground cameras.
Yes, tastefully — logos, lineup cards and dates without killing the momentum.
multicam sync, color grade, mixed-audio masters and social cutdowns for live shows
Studio432 turns the road into content: recaps, BTS series and socials
Studio432 cuts boiler-room-style sets and live electronic sessions, synced and graded
Tell us what you shot and what you need. We reply by email — usually within a day — with a quote and a clear next step. No call required to start.