A DJ set is a build and a release, and the edit has to ride it. We cut sets and live electronic sessions — booth, crowd, lights and hands — to the energy of the mix, holding on the drop, cutting on the build, grading the room into one cohesive world.
DaVinci Resolve. We cut and grade in DaVinci Resolve — its color page is industry-standard, so the look is built where it should be, not faked. Ideal for music and live work where stage lighting needs real grading.
Angles to the recorded mix.
Cut the builds and drops, not the clock.
Club light made cinematic.
Full set plus the drops that travel.
No — DaVinci Resolve is our tool, not a requirement for you. You receive finished, exported files in whatever format you need; editable project files on request.
Yes — close, in-the-booth energy with the crowd around it is exactly the format we cut.
Always — the booth-recorded or board mix married to picture is what makes it feel pro.
We pull the highest-energy moments as vertical clips alongside the full set.
Yes; grading dark, coloured club footage is a core skill. More angles help but aren’t required.
multicam sync, color grade, mixed-audio masters and social cutdowns for live shows
Studio432 turns multi-day festival footage into a high-energy recap that sells next year’s tickets
sessions, gigs and showcases synced, graded and mixed by Studio432
Tell us what you shot and what you need. We reply by email — usually within a day — with a quote and a clear next step. No call required to start.