A concert only happens once, and the edit decides whether anyone feels it twice. We cut concert footage the way we shot our own — cameras synced to the board mix, the room’s energy held in the pacing, the artist always lit as the hero of the frame. From a single-cam phone capture to a six-angle multicam, we turn a night into a film.
Instagram Reels. Reels favour polish and a clean aesthetic. We deliver crisp verticals with Instagram-safe captions and framing that keeps your grid and Reels looking like one brand.
Cards in, every angle synced to the audio and to each other.
We map the set — the openers, the drop, the encore — and cut for the arc.
Cameras matched, the board mix married to picture.
Long-form film plus the vertical clips for the algorithm.
Yes — 9:16 with Instagram safe zones, an aesthetic-forward grade, and framing consistent with your feed.
Anything from one phone to a full multicam rig. We sync to LTC, the board mix, or by waveform when there’s no timecode — it just changes turnaround, not whether we can do it.
Yes. Single-cam and crowd-sourced phone footage is some of what we cut best — stabilisation, grade and a board-mix marriage make it feel intentional.
Always preferred. Send the front-of-house recording or stems and we marry it to picture; the difference in perceived quality is enormous.
A single-song cut in days; a full multicam concert film in one to two weeks depending on angle count and song count. Rush is available.
Tell us what you shot and what you need. We reply by email — usually within a day — with a quote and a clear next step. No call required to start.