For DJs and producers, the visual is the release. We cut sets, boiler-room-style sessions, visualizers and Spotify Canvas that match the energy of the mix and give every track a face across platforms.
Get a quote → All concert video editing →Your sets and releases deserve visuals as strong as the sound. A concert only happens once, and the edit decides whether anyone feels it twice. We cut concert footage the way we shot our own — cameras synced to the board mix, the room’s energy held in the pacing, the artist always lit as the hero of the frame. From a single-cam phone capture to a six-angle multicam, we turn a night into a film.
Cards in, every angle synced to the audio and to each other.
We map the set — the openers, the drop, the encore — and cut for the arc.
Cameras matched, the board mix married to picture.
Long-form film plus the vertical clips for the algorithm.
It's who we built it for. Your sets and releases deserve visuals as strong as the sound. We take the edit off your plate so you stay on the part only you can do.
Anything from one phone to a full multicam rig. We sync to LTC, the board mix, or by waveform when there’s no timecode — it just changes turnaround, not whether we can do it.
Yes. Single-cam and crowd-sourced phone footage is some of what we cut best — stabilisation, grade and a board-mix marriage make it feel intentional.
Always preferred. Send the front-of-house recording or stems and we marry it to picture; the difference in perceived quality is enormous.
A single-song cut in days; a full multicam concert film in one to two weeks depending on angle count and song count. Rush is available.
sessions, gigs and showcases synced, graded and mixed by Studio432
beat-synced cutting, color grade, and a narrative that serves the song
Studio432 turns multi-day festival footage into a high-energy recap that sells next year’s tickets
Tell us what you shot and what you need. We reply by email — usually within a day — with a quote and a clear next step. No call required to start.